Tag Archives: Classical Tradition

Vergil in the Mass

Domenico Com­paretti, in Vergil in the Mid­dle Ages, relates a fas­ci­nat­ing anec­dote about the spir­i­tual Nach­leben (or wist­ful long­ing after same) of Vergil: Hence [Vergil] is the first of those whom Dante, that faith­ful inter­preter of the reli­gious sen­ti­ment of … Con­tinue read­ing

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Juvenal emended by shoe maker

This has just cropped up on the Lat­in­teach list and I thought our read­ers might like to see it. It comes quickly at the end, but ASICS says that their name is an acronym for ‘Anima Sana In Cor­pore Sano’: New Asics … Con­tinue read­ing

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An Allusion to Keats?

Another of Mifflin’s classically-themed son­nets is called ‘An Elegy’. I was reminded of Keats due to the fol­low­ing bolded rhyme. Immor­tal lau­rel of no growth ter­rene, Gather, ye Muses, in Olympian air;‘T is for a shep­herd, loved of Pan, to … Con­tinue read­ing

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Lloyd Mifflin

I con­fess I’d never heard of the Penn­syl­van­ian son­neteer Lloyd Mif­flin until recently. He has a goodly num­ber of poems on clas­si­cal sub­jects. The fol­low­ing, called ‘The Ship’, is a nice lit­tle reflec­tion on the effects that the read­ing of … Con­tinue read­ing

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Ars Poetica

Archibald MacLeish’s short Ars Poet­ica ends with the rather famous fol­low­ing two lines: A poem should not mean­But be. These lines are quoted fairly fre­quently. For exam­ple, they were the basis for an answer on Jeop­ardy last night. I con­fess … Con­tinue read­ing

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Bakhtin Again

In the first part of his review, Eagle­ton gives a sketch of Bakhtin’s dif­fi­cult life under the Stal­in­ists. At one point, he writes: Here [in St. Peters­burg], as always, he was sur­rounded by a close group of anar­chi­cally minded writ­ers … Con­tinue read­ing

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Images from Livy (9)

Land­scape with She-Wolf Suck­ling Romu­lus and Remus’, by Anni­bale Car­racci (1560–1609), c. 1590. Pen, brown ink and brown wash, retouched in black ink, on white paper. Paris, Louvre.

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Images from Livy (8)

Romu­lus and Remus Given Shel­ter by Faus­tu­lus’, by Pietro Berret­tini, called Pierre de Cor­tone (1597–1669), around 1643 (Paris, Louvre)

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Images from Livy (7)

Les Sabines’, by Jacques-Louis David (1748–1825), 1799 (Paris, Louvre)

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Images from Livy (6)

The Intro­duc­tion of the Cult of Cybele at Rome’, by Andrea Man­tegna (about 1430/1–1506), 1505–6. Glue on Linen. Housed in National Gallery (Lon­don). The National Gallery’s page on this pic­ture says the fol­low­ing: Inscribed in the cen­tre: S HOSPES NUMINISCon­tinue read­ing

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