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This is a quick post to mention two new Latin literature Twitter bots. I’ll post the technical stuff elsewhere, but if you’d like a little Latin in your Twitter feed, or would like to have your fortune told by Vergil, look no further.
The distichs of Cato, tweeted randomly by the hour. These two-line hexameter poems giving moral guidance were long used as a standard text book and were admired by everyone from Erasmus to Ben Franklin.
The Sortes Vergilianae (Vergilian Lots) were reportedly used by Hadrian, among others, and now they can easily be consulted by you on Twitter. Address the bot formally with a colon (e.g., “@LotsByVergil: …”) and he’ll tell you your fortune. It’s up to you to interpret the results.
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In Sermones 1.5, Horace describes a journey often referred to as the iter Brundisium because his “page and road end” there. I drew the map you see here as I worked through the poem (click the image to see the larger version).
I was interested by the fact that you can easily work your through the map except for the middle of the journey, where we’re physically closest to the poet’s hometown. We expect him to stop there, since it’s on the way, and since the poem seems to respond to the iter Siculum of Lucilius. But Horace doesn’t show Venusia to us, or at least doesn’t show it to us clearly.
We see Horace from his arrival at Aricia after departing from Rome (v. 1) through to a series of clear destinations along the Via Appia:
- Forum Appii (v. 3)
- Anxur (v. 26)
- Fundi (v. 34)
- Formiae (v. 37)
- Sinuessa (v. 40)
- Pons Campanus (v. 45)
- Capua (v. 47)
- Caudium (v. 51)
- Beneventum (v. 51)
Here, at the midpoint of the journey, we can no longer confidently use our map. Villa Trivici and the little town that can’t be named in verse (versu dicere non est) have troubled scholars.
But once we move past them, we come out not on the Via Appia but on the Via Minucia where the signposts are once again as clear as they were before, moving down the Adriatic coast:
- Canusium (v. 91)
- Rubi (v. 94)
- Barium(v. 97)
- Gnatia (v. 97)
- Brundisium (v. 104)
How did they get from the Via Appia to the Via Minucia, and where were they in that middle portion of the journey?
I’ve got my thoughts, but I’ll save them for another post. For now, enjoy the map. I hope it comes in handy when you read the poem.
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I’ve been away from this world for awhile. The opportunity presented itself to move 2,800 miles away, and despite a good job teaching Latin in a good school, and being a year shy of tenure (with good prospects), we decided to go for it. It was a struggle for awhile, and I learned to become very sympathetic to the truly poor.
But I digress. I was away from Latin in the wilderness for a good long while. I still am, as it happens. I’m working on the web now, or rather in a cubicle in a tower high over Seattle. I do work on the web, dealing with content, graphic design, and the like. We’re pretty well settled now and have insurance and pensions, and count ourselves lucky, which is what we are, and what you are if you have the same. There’s still something missing, though.
Through it all, and very tenuously, we’ve able to keep our several-thousand-book library in a storage unit, stacked high on two pallets and wrapped carefully in waterproof tarps. We have a few dictionaries on the mantle, but all of our grammars and commentaries, our Cambridge green & yellows and OCTs and Teubners and so on, all of these are still there in those stacks, itching to get out and be read.
I think about it from time to time, and I think about the kind of scholar I tried to be, both in graduate school, when I was paralyzed by my lifelong battle with social anxiety, and as a teacher, when I came to terms with the old saying that le mieux est l’ennemi du bien. There was a transformation there that wasn’t quite complete, even when clung to Hermann’s dictum, est quaedam etiam nesciendi ars et scientia (Opusc. ii.288).
I was too fastidious, too concerned with minutiae, and it wasn’t (as one professor blithely said) because I was a positivist. It was because I lived with constant self-doubt matched by an abiding belief that everyone else was looking to catch me out. That sounds pretty grand now that I type it, but it’s true.
I was accused of wanting to be a textual critic, and told I could never be one because I wasn’t born at the right time (the nineteenth century?) or in the right country (the UK? Germany?). But that wasn’t accurate. What I wanted to be was right, because my most vivid memories were always of being wrong, embarrassed, bullied, or a disappointment. Struggling to master everything (even the unknowable) wasn’t conscious or deliberate, but a visceral, psychological need.
I wasn’t the kind of scholar I was because I wanted to be a particular kind of scholar. I was just trying not to be wrong.
I found myself just now thinking deeply about teaching Latin, specifically oral Latin. That part of my inner monologue isn’t important now, but it led me down a path to thinking about how one reads Latin, which led me to this rambling post. While thinking about the sources of oral Latin in the classroom—poetry and prose (from all eras), legal texts, inscriptions, graffiti—I thought of how wrong it was to spend hours or sometimes days on a few poems or a dozen pages of prose, armed with grammars and dictionaries, commentaries and monographs, and buttressed by preconceived ideas and teachers’ intimations. I started to expound to an imaginary audience in my head on the ways to achieve real fluency, and it was unlike anything I’ve ever had the nerve to do with Latin and Greek.
When I uncrate those books again, I’m going to leave the grammars and the commentaries on the shelf for a while. I’m going to read the literature less closely than I ever have before, and I’m going to read more of it. I’m going to read it, and then read it again. I’ll let the volume and the variety of words say more to me than the notes of scholars or my own narrow reading. And I’m not going to let my little demons stall me on every little word and question.